THE COLLECTIVE

Tashattot (Arabic for dispersion) is an art collective based in Belgium dedicated to supporting visual artists, musicians, film makers and cultural practitioners at large, originally from the SWANA region and currently “dispersed” in Europe. The collective aims at creating opportunities, collaborations, commissions and securing funding for these expatriate artists.


The word tashattot and its English equivalents scattering/dispersion, define the collective in both the literal sense of the word (pertaining to the description of the individuals scattered around the world, far from their homelands), as well as its metaphorical sense which relates to the scattering and dispersion of ideas and ways of thinking, as the word in Arabic is oftentimes used to describe the wandering of the thoughts (tashattot al afkar or scattered thoughts).


Tashattot is a work in progress and a newly launched collective with a fluid and evolving set of actions. It currently is and will always remain open to new ideas and experiences; continuously building on lessons learned and with practice. The collective strongly believes in the efficiency of open discussions, as the only way to grow and better address SWANA expat artists needs and aspirations, it therefore remains open to revi
ews, critiques, evaluations or any opinions related to its mechanisms.



Contact us:
tashatttot@gmail.com



Sonic Sessions Residency



Tashattot
Sonic
Sessions


Dec 2024-Feb 2025

The Sonic Sessions Residency is an exchange program centered on electronic music and designed to offer expertise, a rehearsal space and a platform to musical talent originating from the SWANA now based in Belgium. Participants will have access to the music space at Globe Aroma, facilitating collaborative efforts, rehearsals, workshops, talks and meetings. The program would culminate in a concert by the participating musicians held in February 2025, serving as a platform for the participants to present their collaborative works to a live audience.


The Sonic Sessions Residency is a two-month creative journey that invites three electronic musicians to explore the political dimensions of music production. This residency aims at challenging and expanding how music can serve as a political tool—a way to assert identity and express one’s relationship to personal and communal histories.

Through collaborative sessions, workshops, and reflective discussions, participants will explore together how music production can become a process of solidarity, revealing ways to address the cultural and political. Additionally, they will go into the depths of reinforcing one’s cultural and political identity through sound, integrating influences from traditional revolutionary music into their own creations.

This project was made possible thanks to Globe Aroma.






The participating artists in the first edition of Sonic Sessions Residency

Kamel Badarneh (SAWT)
Joseph Jadam
Nazanin Yalda







Biography


Kamel Badarneh (SAWT)
SAWT (Arabic for sound) is the alias of Palestinian Brussels-based electronic music producer Kamel Badarneh. Wandering through the realms of Techno, Ambient and Experimental music, SAWT seeks to dissolve the boundaries between these genres and aims to discover a sonic range where they intertwine harmoniously. The core of his music consists of an ongoing deep research towards a unique sound signature; field recordings, analogue machines and sound design techniques are his main tools to achieve this.

With five EPs released, SAWT has aroused dancefloors all around Belgium but also abroad: Spain, Austria, Germany, Turkey, France, Morocco and undoubtedly Palestine.

Discography:
Music for Checkpoints / 2017
PERMA-INPUTS / 2019
SOBERS / 2021
5 BLOCKS / 2023 
Sensitive Content / 2024

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Joseph Jadam (Maltash)
Joseph Jadam is a Lebanese musician based in Brussels, who explores blending Arabic traditional and pop music with darker genres like psych rock, stoner, darkwave, and industrial. His artistry reflects a dedication to merging cultural roots with a shadowy, atmospheric soundscape, creating a space where familiar melodies meet gritty, experimental undertones.

Among Jadam’s notable projects is Maltash, his solo venture where his signature style comes to life in full force. He is also an active collaborator, working with Othman Cherradi in the project Araf, which explores ambient and mystical textures, and with Freya Edmondes in Avril Spleen, which delves into melancholic and introspective soundscapes. Through these collaborations and his solo work, Jadam's music finds expression across several respected labels, including Opal Tapes, Tartarus Tapes, Modular Mind, and Antibody.
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Nazanin Yalda
Nazanin Yalda is an Iranian musician and composer based in Brussels. Her musical journey began at the age of 10 with piano and voice. Later, she explored Iran’s rich Dastgah tradition through her instrument Sétār.

A graduate of the Tehran school of music, she came to France to continue her studies at the CRR in Paris, after obtaining her diploma, she pursued further studies at the Royal conservatory of Brussels, where she obtained two master’s degrees with high distinction in classical piano and chamber music.

She is the co-founder of the groups Floèmee, an Iranian electronic band, and Xilema Duo, a piano four-hands group.

She is driven by a fascination with color and symbiosis in the arts, exploring how different worlds and traditions can combine to create something new or coexist in a way that enriches them.
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This project is made possible thanks to the joint efforts of Globe Aroma and Tashattot